Deathlife: Hip Hop and Thanatological Narrations of Blackness

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dc.contributor.authorPinn, Anthony B.en_US
dc.date.accessioned2024-02-19T15:30:13Z
dc.date.available2024-02-19T15:30:13Z
dc.date.issued2023en_US
dc.description.abstractAnthony Pinn examines how hip hop artists challenge white supremacist definitions of Blackness by challenging white distinctions between life and death.en_US
dc.identifier.citationPinn, A.B. (2023). "Deathlife: Hip Hop and Thanatological Narrations of Blackness" Duke University Press: https://doi.org/10.1215/9781478027485
dc.identifier.doihttps://doi.org/10.1215/9781478027485en_US
dc.identifier.isbn978-1-4780-9382-4en_US
dc.identifier.urihttps://hdl.handle.net/1911/115454
dc.language.isoengen_US
dc.publisherDuke University Pressen_US
dc.rightsExcept where otherwise noted, this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives (CC BY-NC-ND) license. Permission to reuse, publish, or reproduce the work beyond the terms of the license or beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder.en_US
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/en_US
dc.subject.keywordhip hopen_US
dc.subject.keywordBlacknessen_US
dc.subject.keyworddeathen_US
dc.subject.keywordlifeen_US
dc.subject.keywordAfropessimismen_US
dc.subject.keywordBlack moralismen_US
dc.titleDeathlife: Hip Hop and Thanatological Narrations of Blacknessen_US
dc.typeBooken_US
dc.type.dcmiTexten_US
dc.type.publicationpublisher versionen_US
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