Phrase Rhythm and Loss in the Music of Maurice Ravel

dc.citation.firstpage3en_US
dc.citation.issueNumber1en_US
dc.citation.journalTitleMusic Analysisen_US
dc.citation.lastpage42en_US
dc.citation.volumeNumber42en_US
dc.contributor.authorBlättler, Damianen_US
dc.date.accessioned2023-05-02T18:37:01Zen_US
dc.date.available2023-05-02T18:37:01Zen_US
dc.date.issued2023en_US
dc.description.abstractA particular subset of Ravel's output features a phrase-rhythmic technique wherein tonal and thematic returns are accompanied by surprisingly asymmetrical or ambiguous phrase rhythm. This defies both generic conventions linking thematic reprise and tonal closure to relatively stable phrase rhythm and specific expectations created by these works’ formal processes, and contrasts with trajectories moving from phrase-rhythmic instability to stability which Ravel deploys in other works. The set of pieces which features this technique includes À la manière de … Chabrier, the Menuet sur le nom d'Haydn, pieces from Le Tombeau de Couperin, the last of the Valses nobles et sentimentales, and the ‘Blues’ movement from the Violin Sonata. This study notes how themes of loss and distance connect these pieces, allowing for the phrase-rhythmic technique to be bound up with interpretative implications which can enhance our understanding of how phrase rhythm can carry expressive freight.en_US
dc.identifier.citationBlättler, Damian. "Phrase Rhythm and Loss in the Music of Maurice Ravel." <i>Music Analysis,</i> 42, no. 1 (2023) Wiley: 3-42. https://doi.org/10.1111/musa.12202.en_US
dc.identifier.doihttps://doi.org/10.1111/musa.12202en_US
dc.identifier.urihttps://hdl.handle.net/1911/114870en_US
dc.language.isoengen_US
dc.publisherWileyen_US
dc.titlePhrase Rhythm and Loss in the Music of Maurice Ravelen_US
dc.typeJournal articleen_US
dc.type.dcmiTexten_US
dc.type.publicationpublisher versionen_US
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