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Item On Not Defending Poetry: Spenser, Suffering, and the Energy of Affect(The Modern Language Association of America, 2005) Campana, JosephItem Killing Shakespeare's Children: The Cases of Richard III and King John(Taylor & Francis, 2007) Campana, JosephThis essay explores a series of affective, sexual and temporal disturbances that Shakespeare's child characters create on the early modern stage and that lead these characters often to their deaths. It does so by turning to the murdered princes of Richard III and the ultimately extinguished boy-king Arthur of King John. A pervasive sentimentality about childhood shapes the way audiences and critics have responded to Shakespeare's children by rendering invisible complex and discomfiting erotic and emotional investments in childhood innocence. While Richard III subjects such sentimentality to its analytic gaze, King John explores extreme modes of affect and sexuality associated with childhood. For all of the pragmatic political reasons to kill Arthur, he is much more than an inconvenient dynastic obstacle. Arthur functions as the central node of networks of seduction, the catalyst of morbid displays of affect, and the signifier of future promise as threateningly mutable. King John and Richard III typify Shakespeare's larger dramatic interrogation of emergent notions of childhood and of contradictory notions of temporality, an interrogation conducted by the staging of uncanny, precocious, and ill-fated child roles.Item The State Of England's Camp: Courtesans, curses, and the violence of style in The Unfortunate Traveller(Taylor & Francis, 2007) Campana, JosephThomas Nashe's mystifying The Unfortunate Traveller offers few clues to explain its fundamental purpose, its grotesque depictions of violence, its outrageous rhetoric, or its relationship to forms of linguistic, literary, and social authority. While this text begins amidst Henry VIII's conquests, one soon realizes that ‘the state of England's camp’ in Nashe's early modernity pertains both to the military encampment and to incidences of outrageous, ironic theatrical citation that occur within those encampments and that are now associated with the term ‘camp.’ As Jack Wilton strays from the dangerous pranks of England's camps to the degenerate pleasures of Italy, his textual performance oscillates between dissembling, feminine persuasion, associated with the courtesan (who was, for Nashe, a figure of the writer) and brutal, unforgiving masculine force, associated with the vengeful curses of the blasphemer. Nashe's prose explores degraded forms of orality (speaking, tasting, and eating) with a theatrical morbidity that reveals the subject of The Unfortunate Traveller to be the development of a style to balance the limitless violence of rhetorical assertion with the effeminizing effects of commercial publication. As Nashe's parodic compensations for the lived contradictions of gender, commerce, and writing backfire spectacularly, the style and subject of The Unfortunate Traveller truly emerge.Item Boy Toys and Liquid Joys: Pleasure and Power in the Bower of Bliss(The University of Chicago Press, 2009) Campana, JosephItem Item Shakespeare's Children(Wiley, 2011) Campana, JosephShakespeare had a thing for children. Ann Blake counts 30, Mark Heberle 39, Mark Lawhorn 45, and Carol Chillington Rutter counts well over 50 child parts. What it means that Shakespeare included more child figures in his plays and poems than his contemporaries remains an incitement to conversation as a recent burst of scholarship makes evident. That this interest follows the institutionalization of the study of childrenﾒs literature and the formation of childhood studies programs is instructive. Approaches taken by humanities scholars may not hold the same political sway as psychological or sociological studies, some of which have real implications for the policies and standards that impact the lives of actual children. But since attempts to tell the history of childhood often produce fantasies of the ideal, sentimental child, the works of Shakespeare offer an opportunity to understand constructions and fictions of childhood in a time of the rapidly shifting cultural and historical valuation of children. This essay examines central questions and problems in the study of early modern child figures, reviews past approaches to and recent publications on early modern children, suggests topics yet to be explored in the context of the child figures of Shakespeare and his contemporaries (sexuality, temporality, sovereignty, humanity, and economy), and concludes by suggesting we think of Shakespeareﾒs children not as strictly historical or affective objects but, rather, as figures pressed to signify with respect to cultural expectations of value, sovereignty, and futurity.Item The Oedipal Logic of Ecological Awareness(University of New South Wales, 2012) Morton, TimothyThe Anthropocene is the radical intersection of human history and geological time. Humans have belatedly realised that they have become a geophysical force on a planetary scale. This creeping realisation has an Oedipal logic, that is to say, it is a strange loop in which one level of activity—industrial agriculture and the swiftly ensuing industrial revolutionﾗcrosses into an entirely new level of planetary force and, following from that, an uncanny recognition of this force. This essay argues that the Oedipal logic is embedded in the technical, logistical and philosophical framework of agriculture as such. Indeed, the Theban plays (of which Oedipus Tyrannus is one) dwell on the fact of agricultural society as a form of uncanny existence. This essay argues that the principal reason for the uncanniness is the reduction of being to non-contradiction. Exit strategies from this logic (and its concomitant logistics) cannot cleave to a view of beings that is reductionist in any sense. Thus the potential for using Deleuze and Guattari to exit modernity is limited. What is required is a deconstruction of existing (agri)cultures and logics, rather than an attempt to push past them or avoid them, since as in the story of Oedipus, the attempt to push past and avoid is precisely what brings about the cataclysm.Item Neoliberalism and Allegory(University of Minnesota Press, 2012) Joseph, BettyItem Ecology without the Present(Edinburgh University Press, 2012) Morton, TimothyItem The Bee and the Sovereign? Political Entomology and the Problem of Scale(Fairleigh Dickinson University Press, 2013) Campana, JosephItem Thinking the Charnel Ground (The Charnel Ground Thinking): Auto-Commentary and Death in Esoteric Buddhism(Department of English, Brooklyn College, CUNY, 2013) Morton, TimothyItem The Child's Two Bodies: Shakespeare, Sovereignty, and the End of Succession(Johns Hopkins University Press, 2014) Campana, JosephItem "America is One Island Only": A Review of Jeff Karem's The Purloined Islands: Caribbean-U.S. Crosscurrents in Literature and Culture, 1880-1959(University of Miami, 2014) Waligora-Davis, Nicole A.Item The Political Economy of the English Rogue(University of Pennsylvania Press, 2014) Joseph, BettyRogue narratives represent figures who are, on the one hand, economically and political dispossessed, and on the other, free from constrains of religious morality, social mores and the law. Social marginality allows these figures in texts like The English Rogue (1665), to transform their rootlessness into instantiations of political economy, especially the notion of a market which scripts and codes value onto contentless things through exchange and circulation. As a figure that has no private property to speak of, the rogue?s use of his own body in acts of consumption and exchange reveals a complex early-modern understanding of the links between the sex-gender economy and political economy.Item Ontological Laughter: Comedy as Experimental Possibility Space(Johns Hopkins University Press, 2016) Morton, TimothyItem Death in the Digital Age: A Systematic Review of Information and Communication Technologies in End-of-Life Care(Mary Ann Liebert, Inc., 2016) Ostherr, Kirsten; Killoran, Peter; Shegog, Ross; Bruera, EduardoBackground: End-of-life (EOL) communication plays a critical role in ensuring that patients receive care concordant with their wishes and experience high quality of life. As the baby boomer population ages, scalable models of end-of-life communication will be needed to ensure that patients receive appropriate care. Information and communication technologies (ICTs) may help address the needs of this generation; however, few resources exist to guide the use of ICTs in EOL care. Objective: The primary objective was to identify the ICTs being used in EOL communication. The secondary objective was to compare the effectiveness of different ICTs in EOL communication. Methods: The study was a systematic review, following Preferred Reporting Items for Systematic Reviews and Meta-Analyses (PRISMA) guidelines. We systematically searched seven databases for experimental and observational studies on EOL communication between doctors and patients using ICTs, published in 1997ﾖ2013. Results: The review identified 38 relevant articles. Eleven types of technology were identified: video, website, telephone, videoconferencing, e-mail, telemonitoring, Internet search, compact disc, fax, PalmPilot, and short message service (SMS) text messaging. ICTs were most commonly used to provide information or education, serve as decision aids, promote advance care planning (ACP), and relieve physical symptom distress. Conclusions: The use of ICTs in EOL care is a small but growing field of research. Additional research is needed to adapt older, analog technologies for use in the digital age. Many of the interventions discussed in this review do not take full advantage of the affordances of mobile, connected health ICTs. The growing evidence base for e-health applications in related fields should guide future interventions in EOL care.Item Trust and privacy in the context of user-generated health data(Sage, 2017) Ostherr, Kirsten; Borodina, Svetlana; Bracken, Rachel Conrad; Lotterman, Charles; Storer, Eliot; Williams, BrandonThis study identifies and explores evolving concepts of trust and privacy in the context of user-generated health data. We define “user-generated health data” as data captured through devices or software (whether purpose built or commercially available) and used outside of traditional clinical settings for tracking personal health data. The investigators conducted qualitative research through semistructured interviews (n = 32) with researchers, health technology start-up companies, and members of the general public to inquire why and how they interact with and understand the value of user-generated health data. We found significant results concerning new attitudes toward trust, privacy, and sharing of health data outside of clinical settings that conflict with regulations governing health data within clinical settings. Members of the general public expressed little concern about sharing health data with the companies that sold the devices or apps they used, and indicated that they rarely read the “terms and conditions” detailing how their data may be exploited by the company or third-party affiliates before consenting to them. In contrast, interviews with researchers revealed significant resistance among potential research participants to sharing their user-generated health data for purposes of scientific study. The widespread rhetoric of personalization and social sharing in “user-generated culture” appears to facilitate an understanding of user-generated health data that deemphasizes the risk of exploitation in favor of loosely defined benefits to individual and social well-being. We recommend clarification and greater transparency of regulations governing data sharing related to health.Item What leisure? Surfeminism in an era of Trump(Springer Nature, 2019) Comer, KristaPowerful new feminisms are challenging the rise of the Global Right through mass mobilization, demands for accountability, and innovative opposition, such as #MeToo, the Global Women’s Marches, and #Feminism4the99. The international forum Signs: A Journal of Women and Culture has urged feminist scholars to meet the moment by bridging academic and larger feminist publics and attending to creative, new feminist movements. This paper showcases one such example, surfeminism, a theory and action project working between publics of academia and global surfing. Surfeminism is a worldwide network connecting people, ideas, particular coastal geographies, online and real-time communities and microeconomies in surf industry, with activisms focused on protests of sexism in surf media, access to ocean spaces, environmental health, and women’s racial, economic, and reproductive justice. The paper lays out surfeminist publics through discussion of the Institute for Women Surfers (IWS), a public humanities project in grassroots political education emphasizing relationships, cross-geography alliances, and critical thought. One of the more important and complex claims of surfeminism is for women and girls’ leisure as a feminist political need. A discussion of leisure and its relation to authoritarianisms, as well as ideologies of so-called postfeminism closes the paper.Item How Do We See COVID-19? Visual Iconographies of Racial Contagion(Duke University Press, 2020) Ostherr, KirstenContagion media have historically performed the dual functions of scientific and ideological persuasion, often deploying an iconography of racial contagion that combines these two functions. In efforts to halt the spread of the virus, health, science, and media organizations create visual imagery to teach the public to imagine we can see and therefore avoid contaminants that are invisible to the naked eye. Comparison of COVID-19 with other global disease outbreaks shows how a core set of contagion media visualizations are repeatedly deployed with subtle adaptations for unique diseases and display interfaces. The variations among different corpora of contagion media point to the interplay among persistent, transhistorical tropes, particular sites of meaning production, and novel technical affordances. This article will examine a subset of these representational techniques, including microscopic images of the virus, close-ups of disease vectors, global and local maps of contagion, health workers in biohazard suits, and visibly ill patients. The essay argues that techniques for visualizing the invisible produce a narrative logic of causality in COVID-19 that reinforces racist and xenophobic discourses of containment and control with direct and deadly consequences. Mitigation of this pandemic and future pandemics will require not only medical but also representational interventions.Item Artificial Intelligence and Medical Humanities(Springer, 2020) Ostherr, Kirsten; Medical Humanities ProgramThe use of artificial intelligence in healthcare has led to debates about the role of human clinicians in the increasingly technological contexts of medicine. Some researchers have argued that AI will augment the capacities of physicians and increase their availability to provide empathy and other uniquely human forms of care to their patients. The human vulnerabilities experienced in the healthcare context raise the stakes of new technologies such as AI, and the human dimensions of AI in healthcare have particular significance for research in the humanities. This article explains four key areas of concern relating to AI and the role that medical/health humanities research can play in addressing them: definition and regulation of “medical” versus “health” data and apps; social determinants of health; narrative medicine; and technological mediation of care. Issues include data privacy and trust, flawed datasets and algorithmic bias, racial discrimination, and the rhetoric of humanism and disability. Through a discussion of potential humanities contributions to these emerging intersections with AI, this article will suggest future scholarly directions for the field.