Postcolonial Satire in Cynical Times

dc.contributor.advisorJoseph, Bettyen_US
dc.creatorAdkins, Alexander Bryanten_US
dc.date.accessioned2017-08-07T18:01:00Zen_US
dc.date.available2017-08-07T18:01:00Zen_US
dc.date.created2016-05en_US
dc.date.issued2016-04-25en_US
dc.date.submittedMay 2016en_US
dc.date.updated2017-08-07T18:01:00Zen_US
dc.description.abstractFollowing post-1945 decolonization, many anticolonial figures became disenchanted, for they witnessed not the birth of social revolution, but the mere transfer of power from corrupt white elites to corrupt native elites. Soon after, many postcolonial writers jettisoned the political sincerity of social realism for satire—a less naïve, more pessimistic literary genre and approach to social critique. Satires about the postcolonial condition employ a cynical idiom even as they often take political cynicism as their chief object of derision. This dissertation is among the first literary studies to discuss the use of satire in postcolonial writing, exploring how and why some major Anglophone global writers from decolonization onward use the genre to critique political cynicisms affecting the developing world. It does so by weaving together seemingly disparate novels from the 1960s until today, including Chinua Achebe’s sendup of failed idealism in Africa, Salman Rushdie’s and Hanif Kureishi’s caricatures of Margaret Thatcher’s enterprise culture, and Aravind Adiga’s and Mohsin Hamid’s parodies of self-help narratives in South Asia. Satire is an effective form of social critique for these authors because it is equal opportunity, avoiding simplistic approaches to power and oppression in the postcolonial era. Satire often blames everyone—including itself—by insisting on irony, hypocrisy, and interdependence as existential conditions. Postcolonial satires ridicule victims and victimizers alike, exchanging the politics of blame for messiness, association, and implication. The satires examined here emphasize that we are all, to different degrees, mutually implicated subjects, especially in the era of global capitalism. This dissertation thus contests critics who argue that the subgenre engages in victim blaming, indulges in colonial-era stereotypes about the developing world, and supports political nihilism. Postcolonial satirists cut a path between the optimism expected of them and the fatalism they are accused of by offering a third path between that stifling dichotomy: a mutually implicating, humorous form of social critique that nuances neocolonial forms of power—including cynicism itself.en_US
dc.format.mimetypeapplication/pdfen_US
dc.identifier.citationAdkins, Alexander Bryant. "Postcolonial Satire in Cynical Times." (2016) Diss., Rice University. <a href="https://hdl.handle.net/1911/96613">https://hdl.handle.net/1911/96613</a>.en_US
dc.identifier.urihttps://hdl.handle.net/1911/96613en_US
dc.language.isoengen_US
dc.rightsCopyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder.en_US
dc.subjectPostcolonial literatureen_US
dc.subjectSatireen_US
dc.subjectCynicismen_US
dc.subjectNeoliberalismen_US
dc.titlePostcolonial Satire in Cynical Timesen_US
dc.typeThesisen_US
dc.type.materialTexten_US
thesis.degree.departmentEnglishen_US
thesis.degree.disciplineHumanitiesen_US
thesis.degree.grantorRice Universityen_US
thesis.degree.levelDoctoralen_US
thesis.degree.nameDoctor of Philosophyen_US
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