Ep. #035 - Vanessa Agard-Jones

dc.creatorBoyer, Dominic (podcast host)
dc.creatorHowe, Cymene (podcast host)
dc.creatorAgard-Jones, Vanessa
dc.date.accessioned2022-07-25T15:46:57Z
dc.date.available2022-07-25T15:46:57Z
dc.date.issued2017-12-14
dc.descriptionThis recording and transcript form part of a collection of podcasts conducted by the Cultures of Energy at Rice University. Cultures of Energy brings writers, artists and scholars together to talk, think and feel their way into the Anthropocene. We cover serious issues like climate change, species extinction and energy transition. But we also try to confront seemingly huge and insurmountable problems with insight, creativity and laughter.
dc.description.abstractThis week’s podcast dives into ‘the chemical turn’ in the human sciences. Dominic and Cymene talk intoxication and wonder whether there’s a drug that could cure patriarchy. Then (9:04) we welcome Prof. Vanessa Agard-Jones from Columbia University to the studio to learn about her fascinating research on toxicity and chemical kinship in Martinique. We hear the story about how the pesticide chlordecone/kepone—a chemical now banned by the Stockholm Convention on Persistent Organic Pollutants—was introduced to Martinique by the owners of its banana plantations. Widespread use of the pesticide for over a decade has left the island and its citizens living in a plume of toxic contamination even over two decades after the pesticide was finally banned. We discuss the North/South, racial and postcolonial dynamics of Martinique’s situation and how ambient toxicity undermines both the possibility of “eating local” and the idea of political independence. Then Vanessa explains her theoretical approach to chemicals, how she seeks to balance the concerns of old and new materialisms in concepts like “chemical kin/esthesia” and “molecular ethnography.” We talk about vectors and scales of exposure, why she wants to study the body memory of the Caribbean and why she is looking to geology to think about accretion and sedimentation. In closing Vanessa explains why the chemical turn is also a queer turn and why she thinks it should be queerer still. Enjoy! PS For more on the chemical turn and Vanessa’s work, see www.agardjones.org and www.toxicsymposium.org ; PPS “Kepone Factory” is a Dead Kennedys song. Indulge your punk souls here: https://www.youtube.com/watch?v=0a41PUZ2oRc
dc.digitization.specificationsThis podcast was encoded using GarageBand 10.2.0 software at 128 kbps Audio Bitrate and 44100 Sample Rate in mp3 format.
dc.format.digitalOriginborn digital
dc.format.extentDuration: 1:08:35
dc.identifier.citationBoyer, Dominic (podcast host), Howe, Cymene (podcast host) and Agard-Jones, Vanessa. "Ep. #035 - Vanessa Agard-Jones." (2017) Cultures of Energy, Rice University: <a href="https://hdl.handle.net/1911/112741">https://hdl.handle.net/1911/112741</a>.
dc.identifier.digitalcoe035
dc.identifier.urihttps://hdl.handle.net/1911/112741
dc.language.isoeng
dc.publisherCultures of Energy, Rice University
dc.relation.IsPartOfSeriesCultures of Energy Podcast Series
dc.relation.IsReferencedByTOXIC A Symposium on Exposure, Entanglement, and Endurance (archived site) https://web.archive.org/web/20180314192850/http://www.toxicsymposium.org/
dc.relation.IsReferencedByVisit Vanessa Agard-Jones’s work at (archived site) https://web.archive.org/web/20180419220159/http://agardjones.org/
dc.rightsThis document is distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/
dc.sourceCultures of Energy is a Mingomena Media production. Co-hosts are @DominicBoyer and @CymeneHowe
dc.subjectenvironmental humanities
dc.titleEp. #035 - Vanessa Agard-Jones
dc.type.dcmiSound
dc.type.genrepodcasts
dcterms.accessRightslicensed
schema.accessibilityFeaturetranscript
schema.accessibilitySummarySimple AI-generated transcript is provided but has not been reviewed for quality issues.
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