Deep Song: The Historical and Musical Contexts of Osvaldo Golijov's Ayre

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dc.contributor.advisorBailey, Walter B.en_US
dc.contributor.committeeMemberBrown, Richarden_US
dc.contributor.committeeMemberHarter, Deborahen_US
dc.contributor.committeeMemberLavenda, Richarden_US
dc.creatorHauschildt, Craigen_US
dc.date.accessioned2014-09-11T16:18:47Zen_US
dc.date.available2014-09-11T16:18:47Zen_US
dc.date.created2013-12en_US
dc.date.issued2013-12-06en_US
dc.date.submittedDecember 2013en_US
dc.date.updated2014-09-11T16:18:47Zen_US
dc.description.abstractOsvaldo Golijov (b. 1960) composed Ayre, a song cycle for soprano and large ensemble, in 2004. On the larger thematic level, it explores the history of the conflicts among Christians, Jews, and Muslims—as well as their similarities—to reflect more broadly on the contemporary relationship between Israel and Palestine. To accomplish his goal, Golijov utilizes folk music and poetry from Andalusia, Morocco, Sardinia, and Lebanon as well as poetry by Mahmoud Darwish, a Palestinian poet. Golijov also interweaves the unique talents of specific musicians into the score, which thus becomes a vehicle to showcase the virtuosity of soprano Dawn Upshaw, who premiered and recorded the work, and Golijov’s hand-selected ensemble of instrumentalists, known as the Andalucian Dogs. Like Luciano Berio’s Folk Songs (1964), which served as Golijov’s model, Ayre is constructed using significant amounts of preexisting material. In addition, it incorporates substantial contributions from its original performers. This study examines Golijov’s own contributions and those provided by others to identify more clearly Golijov’s role as composer. It also places Golijov’s work in the broad historical context of twentieth-century music, taking into account the unique relationship between the composer and performer in the world of jazz and the many classical composers who have incorporated elements of folk and popular music into their art music. Additionally, it examines the music of select classical and popular composers—Béla Bartók, Igor Stravinsky, Aaron Copland, Duke Ellington, George Gershwin, and Gil Evans—to understand the censure that has often accompanied the appropriation of music from outside one’s normative style. The study concludes that Golijov, like many other postmodern composers, is not composing in reaction to the complexity and intellectualism of mid-century modernism, but rather he is composing in the manner of composers from the past who reverentially appropriated materials from a wide variety of musical traditions. Thus, even though Golijov relies on a significant amount of pre-existing material to construct Ayre, the work is ultimately a result of his own creative energy.en_US
dc.format.mimetypeapplication/pdfen_US
dc.identifier.citationHauschildt, Craig. "Deep Song: The Historical and Musical Contexts of Osvaldo Golijov's Ayre." (2013) Diss., Rice University. <a href="https://hdl.handle.net/1911/77160">https://hdl.handle.net/1911/77160</a>.en_US
dc.identifier.urihttps://hdl.handle.net/1911/77160en_US
dc.language.isoengen_US
dc.rightsCopyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder.en_US
dc.subjectOsvaldo Golijoven_US
dc.subjectAyreen_US
dc.subjectDawn Upshawen_US
dc.subjectPost-modernen_US
dc.subjectMahmoud Darwishen_US
dc.subjectLuciano Berioen_US
dc.subjectFolk Songsen_US
dc.subjectAestheticsen_US
dc.subjectBéla Bartóken_US
dc.subjectIgor Stravinskyen_US
dc.subjectAaron Coplanden_US
dc.subjectGeorge Gershwinen_US
dc.subjectGil Evansen_US
dc.subjectFrederico Garcia Lorcaen_US
dc.subjectGeorge Crumben_US
dc.subjectEthnomusicologyen_US
dc.subjectComparative musicologyen_US
dc.subjectCharles Seegeren_US
dc.subjectAlan Lomaxen_US
dc.titleDeep Song: The Historical and Musical Contexts of Osvaldo Golijov's Ayreen_US
dc.typeThesisen_US
dc.type.materialTexten_US
thesis.degree.departmentMusicen_US
thesis.degree.disciplineMusicen_US
thesis.degree.grantorRice Universityen_US
thesis.degree.levelDoctoralen_US
thesis.degree.nameDoctor of Musical Artsen_US
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