The ornamentation of the four flute concerti of Carl Philipp Emanuel Bach: An examination of their notations according to the original manuscripts, and a discussion of their executions according to eighteenth-century treatises

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dc.contributor.advisorSchnoebelen, Anne
dc.creatorGuthrie, Kris Leanne
dc.date.accessioned2009-06-04T08:42:46Z
dc.date.available2009-06-04T08:42:46Z
dc.date.issued1998
dc.description.abstractThis document explores the ornamentations found in the four flute concerti of Carl Philipp Emanuel Bach. It considers C. P. E. Bach's and J. J. Quantz's suggestions for the execution of trills and appoggiaturas according to the directives found in each of their treatises, and it proposes a style of execution for the various types of trills and appoggiaturas written into the original manuscripts of Bach's flute concerti. Often the execution that works best goes against the conventional rule of on-beat performance of all embellishments. The document also examines any differences in notation of these ornaments between the versions for the flute versus their original versions for the keyboard. Many of the elaborate symbols used to notate ornaments in keyboard music are simplified in music for non-keyboard instruments, but the executions are still intended to be just as varied.
dc.format.extent176 p.en_US
dc.format.mimetypeapplication/pdf
dc.identifier.callnoTHESIS MUSIC 1998 GUTHRIE
dc.identifier.citationGuthrie, Kris Leanne. "The ornamentation of the four flute concerti of Carl Philipp Emanuel Bach: An examination of their notations according to the original manuscripts, and a discussion of their executions according to eighteenth-century treatises." (1998) Diss., Rice University. <a href="https://hdl.handle.net/1911/19265">https://hdl.handle.net/1911/19265</a>.
dc.identifier.urihttps://hdl.handle.net/1911/19265
dc.language.isoeng
dc.rightsCopyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder.
dc.subjectMusic
dc.titleThe ornamentation of the four flute concerti of Carl Philipp Emanuel Bach: An examination of their notations according to the original manuscripts, and a discussion of their executions according to eighteenth-century treatises
dc.typeThesis
dc.type.materialText
thesis.degree.departmentMusic
thesis.degree.disciplineMusic
thesis.degree.grantorRice University
thesis.degree.levelDoctoral
thesis.degree.nameDoctor of Musical Arts
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