sound.field

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dc.contributor.advisorBrandt, Anthony
dc.creatorYamamoto, Nicholas
dc.date.accessioned2019-05-17T19:00:27Z
dc.date.available2020-05-01T05:01:09Z
dc.date.created2019-05
dc.date.issued2019-04-19
dc.date.submittedMay 2019
dc.date.updated2019-05-17T19:00:28Z
dc.description.abstractOrchestral performance is dedicated space and time for a ritual of concentrated listening and the execution of physical actions on sounding objects. In composing the work sound.field, I wish to guide a hypothetic listening experience through several layers of time and resonant spaces. I consider the work an aural environment partitioned by time. The temporal experience of it imagined as listening to a microphone moved through a vibrant aural space that is “amplified” through an orchestra.
dc.embargo.terms2020-05-01
dc.format.mimetypeapplication/pdf
dc.identifier.citationYamamoto, Nicholas. "sound.field." (2019) Master’s Thesis, Rice University. <a href="https://hdl.handle.net/1911/105987">https://hdl.handle.net/1911/105987</a>.
dc.identifier.urihttps://hdl.handle.net/1911/105987
dc.language.isoeng
dc.rightsCopyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder.
dc.subjectorchestral music
dc.subjectoriginal composition
dc.subjecttwenty-first century music
dc.titlesound.field
dc.typeThesis
dc.type.materialText
thesis.degree.departmentComposition
thesis.degree.disciplineMusic
thesis.degree.grantorRice University
thesis.degree.levelMasters
thesis.degree.majorComposition
thesis.degree.nameMaster of Music
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