Falling Still
| dc.contributor.advisor | Stallmann, Kurt | |
| dc.creator | Sedgwick, Daniel | |
| dc.date.accessioned | 2009-06-04T08:29:52Z | |
| dc.date.available | 2009-06-04T08:29:52Z | |
| dc.date.issued | 2005 | |
| dc.description.abstract | This piece explores combinations of different types of linearly developing patterns. These patterns are of three main varieties: first, strictly linear patterns; second, linear patterns with free surface variation; and third, patterns which develop linearly in two opposing directions, either simultaneously or in alternation. These patterns are applied to the musical parameters of phrase length, pitch, register, dynamics, density, and timbre (the piano timbre is gradually transformed through the use of live electronic processing). As these simple patterns combine, the surface texture becomes complex and unpredictable, yet the clarity of the individual linear progressions provides an underlying direction at all times. | |
| dc.format.extent | 6 p. | en_US |
| dc.format.mimetype | application/pdf | |
| dc.identifier.callno | THESIS MUSIC 2005 SEDGWICK | |
| dc.identifier.citation | Sedgwick, Daniel. "Falling Still." (2005) Master’s Thesis, Rice University. <a href="https://hdl.handle.net/1911/17824">https://hdl.handle.net/1911/17824</a>. | |
| dc.identifier.uri | https://hdl.handle.net/1911/17824 | |
| dc.language.iso | eng | |
| dc.rights | Copyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder. | |
| dc.subject | Music | |
| dc.title | Falling Still | |
| dc.type | Thesis | |
| dc.type.material | Text | |
| thesis.degree.department | Music | |
| thesis.degree.discipline | Music | |
| thesis.degree.grantor | Rice University | |
| thesis.degree.level | Masters | |
| thesis.degree.name | Master of Music |
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