The Tones of Bangle
| dc.contributor.advisor | Chen, Shih-Hui | en_US |
| dc.creator | Leibovic, Daniel | en_US |
| dc.date.accessioned | 2023-08-09T19:48:49Z | en_US |
| dc.date.available | 2023-08-09T19:48:49Z | en_US |
| dc.date.created | 2023-08 | en_US |
| dc.date.issued | 2023-06-29 | en_US |
| dc.date.submitted | August 2023 | en_US |
| dc.date.updated | 2023-08-09T19:48:49Z | en_US |
| dc.description.abstract | This piece presents a conflict between gamelan music and forces that prevent it from fully emerging. The gamelan music is based on themes played by the ensemble of Bangle, Bali in their original composition and performance of “Tabuh Kreasi Baru” recorded in 2011 by the Ethnographic Museum of Geneva. I imagine some powerful energy from Bangle lingering around primordial metals. There is a conflict between the raw, unyielding metals and the Bangle spirit. The gamelan ideas try to bloom, but the resonating objects are heavy, disobedient, and vexing. | en_US |
| dc.format.mimetype | application/pdf | en_US |
| dc.identifier.citation | Leibovic, Daniel. "The Tones of Bangle." (2023) Master’s Thesis, Rice University. <a href="https://hdl.handle.net/1911/115215">https://hdl.handle.net/1911/115215</a>. | en_US |
| dc.identifier.uri | https://hdl.handle.net/1911/115215 | en_US |
| dc.language.iso | eng | en_US |
| dc.rights | Copyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder. | en_US |
| dc.subject | gamelan | en_US |
| dc.subject | orchestra | en_US |
| dc.title | The Tones of Bangle | en_US |
| dc.type | Thesis | en_US |
| dc.type.material | Text | en_US |
| thesis.degree.department | Music | en_US |
| thesis.degree.discipline | Music | en_US |
| thesis.degree.grantor | Rice University | en_US |
| thesis.degree.level | Masters | en_US |
| thesis.degree.name | Master of Music | en_US |
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