Ep. #170 - Ursula Biemann

dc.creatorBoyer, Dominic (podcast host)en_US
dc.creatorHowe, Cymene (podcast host)en_US
dc.creatorBiemann, Ursulaen_US
dc.date.accessioned2022-07-25T16:05:03Zen_US
dc.date.available2022-07-25T16:05:03Zen_US
dc.date.issued2017-12-14en_US
dc.descriptionThis recording and transcript form part of a collection of podcasts conducted by the Cultures of Energy at Rice University. Cultures of Energy brings writers, artists and scholars together to talk, think and feel their way into the Anthropocene. We cover serious issues like climate change, species extinction and energy transition. But we also try to confront seemingly huge and insurmountable problems with insight, creativity and laughter.en_US
dc.description.abstractDominic and Cymene talk about the weltschmerz of turning 10, review this week’s flood & fire news and offer handy recycling tips (e.g. don't recycle snakes!) on this week’s podcast. We then (19:08) are delighted to welcome the marvelous video artist, curator and theorist, Ursula Biemann (https://www.geobodies.org) to the conversation; Ursula has thematized energy and environment themes extensively in her work. We start with oil and her 2005 project, Black Sea Files (https://www.geobodies.org/art-and-videos/black-sea-files) which explores how energy infrastructure shapes flows of fuel and people in the Caspian region. We discuss the multiperspectival camera work that is one of her signatures and move from there to Forest Law (2014) which contrasts the logics of oil extraction in the Ecuadorian Amazon with indigenous cosmology of the living forest (https://www.geobodies.org/art-and-videos/forest-law). We talk about forests as future proliferating ecologies, how film can make visible connections between processes and places across the world, and why she likes to think of her films as doing work opposite to abstraction. We move then to Deep Weather (2013), a short film that connects the tar sands of northern Canada to the “hydro-geography” of an increasingly flood-threatened Bangladesh (https://www.geobodies.org/art-and-videos/deep-weather). In closing, Ursula explains to us her next project: founding a university in Ecuador to help bridge indigenous and western forms of environmental knowledge. Listen and enjoy!  Ps Wishing Ms. Brijzha Boyer a very happy birthday!en_US
dc.digitization.specificationsThis podcast was encoded using GarageBand 10.2.0 software at 128 kbps Audio Bitrate and 44100 Sample Rate in mp3 format.en_US
dc.format.digitalOriginborn digitalen_US
dc.format.extentDuration: 1:03:23en_US
dc.identifier.citationBoyer, Dominic (podcast host), Howe, Cymene (podcast host) and Biemann, Ursula. "Ep. #170 - Ursula Biemann." (2017) Cultures of Energy, Rice University: <a href="https://hdl.handle.net/1911/112876">https://hdl.handle.net/1911/112876</a>.en_US
dc.identifier.digitalcoe170en_US
dc.identifier.urihttps://hdl.handle.net/1911/112876en_US
dc.language.isoengen_US
dc.publisherCultures of Energy, Rice Universityen_US
dc.relation.IsPartOfSeriesCultures of Energy Podcast Seriesen_US
dc.relation.IsReferencedBy2013 deep weather [video essay] https://perma.cc/6CEY-QPZWen_US
dc.relation.IsReferencedByBlack Sea Files [Project] https://perma.cc/FM9Q-LNEQen_US
dc.relation.IsReferencedByindigenous cosmology of the living forest https://perma.cc/T4M8-EH2Pen_US
dc.relation.IsReferencedByUrsula Biemann https://perma.cc/B3JV-J28Ten_US
dc.rightsThis document is distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.en_US
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/en_US
dc.sourceCultures of Energy is a Mingomena Media production. Co-hosts are @DominicBoyer and @CymeneHoween_US
dc.subjectenvironmental humanitiesen_US
dc.titleEp. #170 - Ursula Biemannen_US
dc.type.dcmiSounden_US
dc.type.genrepodcastsen_US
dcterms.accessRightslicenseden_US
schema.accessibilityFeaturetranscripten_US
schema.accessibilitySummarySimple AI-generated transcript is provided but has not been reviewed for quality issues.en_US
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