Performance Mall

dc.contributor.advisorWittenberg, Gordonen_US
dc.contributor.committeeMemberOliver, Douglasen_US
dc.contributor.committeeMemberColman, Scotten_US
dc.contributor.committeeMemberWhiting, Sarahen_US
dc.contributor.committeeMemberHight, Christopheren_US
dc.creatorDaley, Andrewen_US
dc.date.accessioned2012-09-06T04:23:40Zen_US
dc.date.accessioned2012-09-06T04:24:11Zen_US
dc.date.available2012-09-06T04:23:40Zen_US
dc.date.available2012-09-06T04:24:11Zen_US
dc.date.created2012-05en_US
dc.date.issued2012-09-05en_US
dc.date.submittedMay 2012en_US
dc.date.updated2012-09-06T04:24:11Zen_US
dc.description.abstractThe architectural object is concerned with its image. However, as Yves Alain Bois notes, the flatness of the photograph “denies the real content of the work.” This thesis unpacks the collapse of object and image by exploring the relationship between the path and the object: the path offers an experience not simply a view. In the emerging mega-city of Manila, malls are ever-present entities. Mainly for the upper class, they form an episodic network, where seeing and being seen is as important as shopping. By combining a series of theaters with the Filipino reliance on shopping centers, a new typology is formed: the PERFORMANCE MALL. Adapting Garnier, Scharoun, and the mall, this project establishes space for the few and the many simultaneously. The motion within the theater complex creates a continuous spectacle of performance and circulation. Rather than separation of circulation and performance, they exist in a symbiotic state.en_US
dc.format.mimetypeapplication/pdfen_US
dc.identifier.citationDaley, Andrew. "Performance Mall." (2012) Master’s Thesis, Rice University. <a href="https://hdl.handle.net/1911/64671">https://hdl.handle.net/1911/64671</a>.en_US
dc.identifier.slug123456789/ETD-2012-05-136en_US
dc.identifier.urihttps://hdl.handle.net/1911/64671en_US
dc.language.isoengen_US
dc.rightsCopyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder.en_US
dc.subjectObjecten_US
dc.subjectPathen_US
dc.subjectLegibilityen_US
dc.subjectPerformanceen_US
dc.subjectMallen_US
dc.subjectGarnieren_US
dc.subjectScharounen_US
dc.subjectManilaen_US
dc.titlePerformance Mallen_US
dc.typeThesisen_US
dc.type.materialTexten_US
thesis.degree.departmentArchitectureen_US
thesis.degree.disciplineArchitectureen_US
thesis.degree.grantorRice Universityen_US
thesis.degree.levelMastersen_US
thesis.degree.nameMaster of Architectureen_US
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