Shards

dc.contributor.advisorGottschalk, Arthur W.
dc.creatorOsborne, Thomas Abercrombie
dc.date.accessioned2009-06-04T08:24:28Z
dc.date.available2009-06-04T08:24:28Z
dc.date.issued2002
dc.description.abstractThe title refers to short, jagged gestures that permeate the piece. These fragments interrupt the ongoing music then gradually take over the texture, until they are in turn dethroned by another "shard." The title also points to the image the music creates. The piece begins slow and unassuming. As it goes, a more erratic character infiltrates the music until it is like some giant unstoppable spinning wheel, aggressively spraying out white-hot sparks. In the end this machine doesn't wind down, but instead suddenly runs of steam allowing the original, subdued music to return.
dc.format.extent36 p.en_US
dc.format.mimetypeapplication/pdf
dc.identifier.callnoTHESIS MUSIC 2002 OSBORNE
dc.identifier.citationOsborne, Thomas Abercrombie. "Shards." (2002) Master’s Thesis, Rice University. <a href="https://hdl.handle.net/1911/17534">https://hdl.handle.net/1911/17534</a>.
dc.identifier.urihttps://hdl.handle.net/1911/17534
dc.language.isoeng
dc.rightsCopyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder.
dc.subjectMusic
dc.titleShards
dc.typeThesis
dc.type.materialText
thesis.degree.departmentMusic
thesis.degree.disciplineMusic
thesis.degree.grantorRice University
thesis.degree.levelMasters
thesis.degree.nameMaster of Music
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