Transmission and performance of taiko in Edo Bayashi, Hachijo, and modern kumi-daiko styles

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dc.contributor.advisorBailey, Walter B.
dc.contributor.advisorBrown, Richard
dc.creatorVogel, Brian
dc.date.accessioned2011-07-25T01:39:04Z
dc.date.available2011-07-25T01:39:04Z
dc.date.issued2009
dc.description.abstractThis document is a study of the history, instruments, transmission method and performance practices of three types of Japanese taiko drumming. Included are transcriptions of representative pieces, several of which have never been written down in Western notation, as taiko is generally an orally transmitted musical form. Field research was done throughout the summers of 2007 and 2008 with renowned taiko artist Kenny Endo at the Taiko Center of the Pacific in Honolulu, Hawaii.
dc.format.mimetypeapplication/pdf
dc.identifier.callnoTHESIS MUSIC 2009 VOGEL
dc.identifier.citationVogel, Brian. "Transmission and performance of taiko in Edo Bayashi, Hachijo, and modern kumi-daiko styles." (2009) Diss., Rice University. <a href="https://hdl.handle.net/1911/61883">https://hdl.handle.net/1911/61883</a>.
dc.identifier.urihttps://hdl.handle.net/1911/61883
dc.language.isoeng
dc.rightsCopyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder.
dc.subjectMusic
dc.titleTransmission and performance of taiko in Edo Bayashi, Hachijo, and modern kumi-daiko styles
dc.typeThesis
dc.type.materialText
thesis.degree.departmentMusic
thesis.degree.disciplineMusic
thesis.degree.grantorRice University
thesis.degree.levelDoctoral
thesis.degree.nameDoctor of Musical Arts
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