Dual Origins

dc.contributor.advisorApplebaum, Edwarden_US
dc.creatorRosenthal, Aaron Ellioten_US
dc.date.accessioned2009-06-04T06:53:31Zen_US
dc.date.available2009-06-04T06:53:31Zen_US
dc.date.issued2000en_US
dc.description.abstractDual Origins is a through-composed poem for orchestra, which addresses a series of oppositions and extreme contrasts. Among these contrasts are the dynamic (loud vs. soft) and registral (high vs. low) extremes of the orchestra, the ensemble's varying timbres (strings, winds, and percussion), the music's degrees of dissonance and consonance, and the existence of a tonal center versus what's commonly referred to as tonal ambiguity. The majority of the musical material is derived from the simple whole-step motive that opens the piece, and in the absence of any traditional formal structure, this motivic unity creates an alternate type of cohesion that serves as the glue between the individual sections. The last of these sections is a climactic conclusion, at which point the piece's various conflicts have all found either compromise or conquest.en_US
dc.format.extent17 p.en_US
dc.format.mimetypeapplication/pdfen_US
dc.identifier.callnoTHESIS MUSIC 2000 ROSENTHALen_US
dc.identifier.citationRosenthal, Aaron Elliot. "Dual Origins." (2000) Master’s Thesis, Rice University. <a href="https://hdl.handle.net/1911/17373">https://hdl.handle.net/1911/17373</a>.en_US
dc.identifier.urihttps://hdl.handle.net/1911/17373en_US
dc.language.isoengen_US
dc.rightsCopyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder.en_US
dc.subjectMusicen_US
dc.titleDual Originsen_US
dc.typeThesisen_US
dc.type.materialTexten_US
thesis.degree.departmentMusicen_US
thesis.degree.disciplineMusicen_US
thesis.degree.grantorRice Universityen_US
thesis.degree.levelMastersen_US
thesis.degree.nameMaster of Musicen_US
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