Point Ninety-Nine
| dc.contributor.advisor | Jalbert, Pierre | en_US |
| dc.creator | Qin, Tian | en_US |
| dc.date.accessioned | 2024-05-22T15:43:08Z | en_US |
| dc.date.available | 2024-05-22T15:43:08Z | en_US |
| dc.date.created | 2024-05 | en_US |
| dc.date.issued | 2024-04-19 | en_US |
| dc.date.submitted | May 2024 | en_US |
| dc.date.updated | 2024-05-22T15:43:08Z | en_US |
| dc.description.abstract | My thesis, Point Ninety-Nine is an orchestral work that contemplates the beauty of ‘missing the mark’. It is about being almost there point ninety-nine, not one hundred percent. We live in an environment that demands perfection. How can we learn to embrace the imperfections and celebrate the unexpected outcome after we do our best? The music will focus on drastic timbral contrasts and cyclic thematic elements. | en_US |
| dc.format.mimetype | application/pdf | en_US |
| dc.identifier.citation | Qin, Tian. Point Ninety-Nine. (2024). Masters thesis, Rice University. https://hdl.handle.net/1911/116161 | en_US |
| dc.identifier.uri | https://hdl.handle.net/1911/116161 | en_US |
| dc.language.iso | eng | en_US |
| dc.rights | Copyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder. | en_US |
| dc.subject | Music | en_US |
| dc.subject | Orchestra | en_US |
| dc.title | Point Ninety-Nine | en_US |
| dc.type | Thesis | en_US |
| dc.type.material | Text | en_US |
| thesis.degree.department | Composition | en_US |
| thesis.degree.discipline | Music | en_US |
| thesis.degree.grantor | Rice University | en_US |
| thesis.degree.level | Masters | en_US |
| thesis.degree.name | Master of Music | en_US |
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