The Evolution of Viola Playing as Heard in Recordings of William Walton's Viola Concerto

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dc.contributor.advisorBarnett, Gregory R.en_US
dc.creatorMilisavljevic, Milanen_US
dc.date.accessioned2013-03-08T00:36:43Zen_US
dc.date.available2013-03-08T00:36:43Zen_US
dc.date.issued2011en_US
dc.description.abstractThis document examines the evolution of viola playing as heard through recordings of William Walton's Viola Concerto, written in 1929. The sixteen commercially issued recordings of the concerto, unevenly spaced, offer a variety of interpretative approaches. Its first performers were indebted to a style of performance practice with roots in the Romantic era, which emphasized the individuality of the performer above other considerations. Hallmarks of this style are tonal beauty, overt emotionalism and a freely subjective approach that included alterations to the music. The performers used portamento liberally, not yet demonized as a sign of poor taste, and thus had a uniquely vocal style of phrasing. Early violists' interpretations are striking for their flawed uniqueness, but, as we move toward the 1960s, a more modem approach takes over. It is characterized by fidelity to the score and consistent technical perfection, as well as less use of portamento in favor of continuous vibrato. The personal input of the performer is less pronounced; he is now more a conduit for the composer's intentions. Modern violists thus take fewer liberties and sound more alike, while exhibiting an unprecedented level of technical assurance. The reasons for this increase in homogeneity will be discussed. In addition, violinists' recordings of the Walton will be examined for signs of a violinistic mode of interpretation of the Walton.en_US
dc.format.extent100 p.en_US
dc.format.mimetypeapplication/pdfen_US
dc.identifier.callnoTHESIS MUSIC 2011en_US
dc.identifier.citationMilisavljevic, Milan. "The Evolution of Viola Playing as Heard in Recordings of William Walton's Viola Concerto." (2011) Diss., Rice University. <a href="https://hdl.handle.net/1911/70354">https://hdl.handle.net/1911/70354</a>.en_US
dc.identifier.digitalMilisavljevicMen_US
dc.identifier.urihttps://hdl.handle.net/1911/70354en_US
dc.language.isoengen_US
dc.rightsCopyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder.en_US
dc.subjectCommunication and the artsen_US
dc.subjectSir William Waltonen_US
dc.subjectViolaen_US
dc.subjectConcertoen_US
dc.subjectEnglanden_US
dc.subjectMusicen_US
dc.titleThe Evolution of Viola Playing as Heard in Recordings of William Walton's Viola Concertoen_US
dc.typeThesisen_US
dc.type.materialTexten_US
thesis.degree.departmentMusicen_US
thesis.degree.disciplineMusicen_US
thesis.degree.grantorRice Universityen_US
thesis.degree.levelDoctoralen_US
thesis.degree.nameDoctor of Musical Artsen_US
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