The stylistic traits of Charles Griffes's piano music: "Roman Sketches", Op. 7 and Piano Sonata (1917--1918)

dc.contributor.advisorApplebaum, Edward
dc.creatorFabbro, Renato Sergio
dc.date.accessioned2009-06-04T06:45:23Z
dc.date.available2009-06-04T06:45:23Z
dc.date.issued2001
dc.description.abstractLike most composers, Charles Griffes's piano works display certain recurring stylistic traits. These traits transcend the three periods in which his music is categorized. A comparison of two of his best known piano works, Roman Sketches, Op. 7 and the Piano Sonata (1917--18), illustrates the significant compositional techniques that he continued to use as his style matured. Examples from other piano works are included in this document although the focus is primarily on these two. The comparisons also highlight the traits that Griffes added or abandoned in his later years.* *Originally published in DAI, Vol 62, No. 7. Reprinted here with corrected author name.
dc.format.extent55 p.en_US
dc.format.mimetypeapplication/pdf
dc.identifier.callnoTHESIS MUSIC 2001 FABBRO
dc.identifier.citationFabbro, Renato Sergio. "The stylistic traits of Charles Griffes's piano music: "Roman Sketches", Op. 7 and Piano Sonata (1917--1918)." (2001) Diss., Rice University. <a href="https://hdl.handle.net/1911/17959">https://hdl.handle.net/1911/17959</a>.
dc.identifier.urihttps://hdl.handle.net/1911/17959
dc.language.isoeng
dc.rightsCopyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder.
dc.subjectMusic
dc.titleThe stylistic traits of Charles Griffes's piano music: "Roman Sketches", Op. 7 and Piano Sonata (1917--1918)
dc.typeThesis
dc.type.materialText
thesis.degree.departmentMusic
thesis.degree.disciplineMusic
thesis.degree.grantorRice University
thesis.degree.levelDoctoral
thesis.degree.nameDoctor of Musical Arts
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