Browsing by Author "Lee, Jeewon"

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    CLASS RECITAL featuring piano students of Jon Kimura Parker Friday, January 28, 2011 8:00 p.m. Lillian H. Duncan Recital Hall
    (Shepherd School of Music, Rice University, 2011-01-28) Parker, Jon Kimura (piano); Staupe, Andrew; Marshall, Richard; Valkov, Viktor; Lee, Jeewon; McKiggan, Christopher Janwong
    PROGRAM: Sonata in D Major, K. 311 / Wolfgang Amadeus Mozart -- Apres une Lecture de Dante Fantasia quasi Sonata / Franz Liszt -- Piano Sonata No. 27 in E Minor, Op. 90 / Ludwig van Beethoven -- Impromptu in B-ftat major, D. 935 / Franz Schubert -- Legend No.2, St. Francis walking on the waves / Johannes Brahms -- Rudepoema / Heitor Villa-Lobos -- Piano Concerto, Op. 38 / Samuel Barber
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    CLASS RECITAL featuring piano students of Jon Kimura Parker Friday, October 29, 2010 5:00 p.m. Lillian H. Duncan Recital Hall
    (Shepherd School of Music, Rice University, 2010-10-29) Lee, Jeewon; Park, Judy; McKiggan, Christopher; Marshall, Richard
    PROGRAM: Prelude and Fugue in D Major, BWV 532 from The Well-Tempered Clavier, Book II / Johann Sebastian Bach -- Piano Sonata in B-flat Major, Op. 22 / Ludwig van Beethoven -- Etude in C Major, Op. 10 No. 7 / Frederic Chopin -- Wu Kui / Zhou Long -- Piano Sonata in A Major, Op. 101 / Ludwig van Beethoven
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    CLASS RECITAL featuring piano students of Jon Kimura Parker Thursday, March 13, 2008 4:30 p.m. Lillian H. Duncan Recital Hall
    (Shepherd School of Music, Rice University, 2008-03-13) We, Monica; Holshouser, Scott (second piano); Park, Judy; Lippert, Sophie; Lee, Jeewon
    PROGRAM: Piano Concerto No. 1 in D-flat Major Op. 10 / Sergei Prokofiev -- Piano Concerto No. 3 in D Minor Op. 30 / Sergei Rachmaninoff -- Nights in the Gardens of Spain / Manuel de Falla -- Piano Concerto No. 1 in B-flat Minor Op. 23 / Piotr Ilyich Tchaikovsky
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    The First-Movement Cadenzas for Mozart Piano Concerto No. 20 in D Minor, K. 466
    (2013-07-24) Lee, Jeewon; Al-Zand, Karim; Parker, Jon Kimura; Manca, Joseph; Bailey, Walter B.
    This thesis is an analytical study of various cadenzas written for the first movement of Mozart’s Piano Concerto No.20 in D minor, K.466. As one of the six of his own concertos for which Mozart did not provide an original cadenza, the D minor concerto poses an important challenge to the performer: should she compose or improvise her own cadenza, or should she select one written by someone else? Many composer/pianists active during the nineteenth and twentieth centuries penned cadenzas to this concerto for their own use, and this thesis explores those by August Eberhard Müller, Emanuel Aloys Förster, Ludwig van Beethoven, Johann Nepomuk Hummel, Charles-Valentin Alkan, Clara Schumann, Johannes Brahms, Ferruccio Busoni, Bedrich Smetana and Paul Badura-Skoda. In addition to these written-out cadenzas, it also discusses improvised cadenzas in the recordings by Robert Levin and Chick Corea. Each composer/pianist’s unique compositional style is illuminated through the study of each cadenza, and consideration of these styles allows multiple views on a single concerto. A discussion of the meaning and history of cadenzas precedes the analytical study, and in conclusion, the author contributes her own cadenza.