Browsing by Author "Hauschildt, Craig"

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    20/21 NEW MUSIC GROUP featuring students of The Shepherd School of Music Saturday, February 25, 2006 6:00 p.m. Hirsch Orchestra Rehearsal Hall
    (Shepherd School of Music, Rice University, 2006-02-25) Andriessen, Louis, 1939-; Namir, Florie, 1979-; Part, Arva, 1935-; Blench, Karl; Hauschildt, Craig; Perlman, Ariella (flute); Jankauskas, Sarunas (clarinet); Schelling, Kamala (piano); West, David (percussion); Matthes, Kristiana (violin); Parce, Anthony (viola); Beauparlant, Marie-Michel (cello); Boulton, Joshua (cello); Costa, Semiramis (cello); Dunn, Andrew (cello); Hu, Emily (cello); Hunt, Stephanie (cello); Moore, Patrick (cello); Yenn, Melody (cello); Baxtresser, Dean (oboe, English horn); Brebach, Emily (oboe, English horn); Copeland, Lillian (oboe, English horn); Owens, Diana (oboe, English horn); Haro, Greg (trumpet); Koronka, Kyle (trumpet); Williamson, John (trumpet); Johnson, Robert (horn); VanDyke, Jonas (horn); Koertge, Erin (horn); Turner, Catherine (horn); Burns, Christopher (trombone); Clayville, Michael (trombone); Selover, Michael (trombone); Barton, Jacob (piano); Lu, Ann (piano); Parkhurst, Bryan (harp); Wadden, Nuiko (harp); Lassell, Nathan (marimba); West, David (marimba); Nilles, Charles (bass guitar); Boulware, Lindsay (soprano); Gowing, Laurelle (soprano); Rogotzke, Valerie (soprano); Walstrom, Audrey (soprano); Charles, Elizabeth (viola); Gartner, Ellen (viola); Raizen, Karen (viola); Esparza, Eric (vocal coach); Sedgwick, Daniel (sound engineer)
    Program: R.II / Florie Namir (b.1979) -- Fratres / Arva Part (b.1935) -- De Staat / Louis Andriessen (b. 1939).
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    CAMERON SMITH Piano DOCTORAL RECITAL Saturday, October 15, 2005 8:00 p.m. Lillian H. Duncan Recital Hall
    (Shepherd School of Music, Rice University, 2005-10-15) Prokofiev, Sergey, 1891-1953; Mozart, Wolfgang Amadeus, 1756-1791; Hauschildt, Craig; Koch, Adam (horn); Herman, Jory (double bass); Haro, Greg (trumpet); Charles, Elizabeth (viola); Baxtresser, Dean (oboe); Suzuki, Kaoru (violin); Psomas, Jeannie (clarinet); Seymour, Peter (double bass); Boulton, Joshua (cello); Behr, Erik (oboe); Jones, Abigail (bassoon); Xie, Fei (bassoon); Peters, Timothy (violin); Smith, Bruce (violin); Morford, Hana (viola); Brophy, Robert (viola); Perlman, Ariella (flute); Belcher, Richard (cello); Schellhase, Elizabeth (horn); Khang, Kristopher (cello); Nussbaum, Stephanie (violin); Turner, Katherine (horn); Burns, Christopher (trombone); Branch, Catherine (flute); Poteat, Angelique (clarinet); Smith, Cameron (piano); West, David (percussion); Gonzles, Andres (violin)
    Playlist: Piano Concerto in A Major, K. 488 / Wolfgang Amadeus Mozart (1756-1791) -- Piano Concerto No. 3 in C Major, Op. 26 / Sergei Prokofiev (1891-1953).
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    Deep Song: The Historical and Musical Contexts of Osvaldo Golijov's Ayre
    (2013-12-06) Hauschildt, Craig; Bailey, Walter B.; Brown, Richard; Harter, Deborah; Lavenda, Richard
    Osvaldo Golijov (b. 1960) composed Ayre, a song cycle for soprano and large ensemble, in 2004. On the larger thematic level, it explores the history of the conflicts among Christians, Jews, and Muslims—as well as their similarities—to reflect more broadly on the contemporary relationship between Israel and Palestine. To accomplish his goal, Golijov utilizes folk music and poetry from Andalusia, Morocco, Sardinia, and Lebanon as well as poetry by Mahmoud Darwish, a Palestinian poet. Golijov also interweaves the unique talents of specific musicians into the score, which thus becomes a vehicle to showcase the virtuosity of soprano Dawn Upshaw, who premiered and recorded the work, and Golijov’s hand-selected ensemble of instrumentalists, known as the Andalucian Dogs. Like Luciano Berio’s Folk Songs (1964), which served as Golijov’s model, Ayre is constructed using significant amounts of preexisting material. In addition, it incorporates substantial contributions from its original performers. This study examines Golijov’s own contributions and those provided by others to identify more clearly Golijov’s role as composer. It also places Golijov’s work in the broad historical context of twentieth-century music, taking into account the unique relationship between the composer and performer in the world of jazz and the many classical composers who have incorporated elements of folk and popular music into their art music. Additionally, it examines the music of select classical and popular composers—Béla Bartók, Igor Stravinsky, Aaron Copland, Duke Ellington, George Gershwin, and Gil Evans—to understand the censure that has often accompanied the appropriation of music from outside one’s normative style. The study concludes that Golijov, like many other postmodern composers, is not composing in reaction to the complexity and intellectualism of mid-century modernism, but rather he is composing in the manner of composers from the past who reverentially appropriated materials from a wide variety of musical traditions. Thus, even though Golijov relies on a significant amount of pre-existing material to construct Ayre, the work is ultimately a result of his own creative energy.
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    HINDEMITH VIOLA PROJECT CONCERT II DOCTORAL RECITAL KATHERINE LEWIS, Viola Wednesday, March 8, 2006 8:00 p.m. Lillian H. Duncan Recital Hall
    (Shepherd School of Music, Rice University, 2006-03-08) Hindemith, Paul, 1895-1963; Hauschildt, Craig; Lewis, Katherine (viola); Peters, Timothy (violin); Dahl, Emily (violin); Loden, Matthew (violin); Ouellette, Sylvia (violin); Lindsay, Victoria (violin); Emerman, Molly (violin); Fleisher, Kaaren (violin); Nussbaum, Stephanie (violin); Charles, Elizabeth (viola); Parce, Anthony (viola); Raizen, Karen (viola); Ritchie, Valdine (cello); Hunt, Stephanie (cello); Costa, Semiramis (cello); Dunn, Andrew (cello); Kim, Christine (cello); Li, Peng (cello); Dixon, Scott (double bass); Herman, Jory (double bass); Nilles, Charles (double bass); Lancon, Melanie (flute); Brebach, Emily (oboe); Dyachenko, Andre (clarinet); Jankauskas, Sarunas (clarinet); Sasaki, Maiko (bass clarinet); Akdag, Nicholas (bassoon); Connors, Ellen (bassoon); Balliett, Brad (contrabassoon); Rathke, Deborah (horn); Grow, Ben (trumpet); Price, Jerrod (trumpet); Clayville, Michael (trombone); Wild, Logan (trombone); Samson, William (tuba)
    Program: Trauermusik for Viola and String Orchestra / Paul Hindemith (1895-1963) -- Kammermusik No.5, Op.36 No.3 / Paul Hindemith.
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    SHEPHERD SCHOOL PERCUSSION ENSEMBLE Thursday, April 13, 2006 8:00 p.m. Stude Concert Hall
    (Shepherd School of Music, Rice University, 2006-04-13) Piazzolla, Astor; Rimsky-Korsakov, Nikolay, 1844-1908; Novotney, Eugene D.; Lee, Gui-Sook; Becker, Bob, 1947-; Satterwhite, Marc; Márta, István; Hartman, Lee, 1979-; Vivaldi, Antonio, 1678-1741; Hauschildt, Craig; Brown, Richard (director); Lassell, Nathan (percussion); Coleman, Kevin (percussion); West, David (percussion); Pinto, Evy (percussion); Manchen, Brian (percussion); Bell, Brandon (percussion); Gould, Grant (percussion); Hemmenway, Andrea (percussion); Shepherd School Percussion Ensemble
    Program: Four Postcards from Ancient Nihon / Marc Satterwhite -- Concerto in Sol Maggiore por 2 Mandolini / Antonio Vivaldi -- Proposal / Eugene Novotney -- Habanera Ritmico / Lee Hartman -- Mudra / Bob Becker -- Refrain / Gui-Sook Lee -- La Muerte del Angel / Astor Piazzolla -- Flight of the Bumblebee / Nicolai Rimsky-Korsakov -- Doll's House Story / Istvan Marta.
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    SHEPHERD SCHOOL PERCUSSION ENSEMBLE Thursday, November 7, 2002 8:00 p.m. Stude Concert Hall
    (Shepherd School of Music, Rice University, 2002-11-07) Shepherd School Percussion Ensemble; Brown, Richard (Director); Bertrand, Evan; Cousins, Cory; Doty, Spencer; Gould, Daniel; Hauschildt, Craig; Hoffman, Jordon; Inafuku, Blaine; Smith, Brian; Tilburg, Shaun; Vogel, Brian
    PROGRAM: Mudra / Bob Becker -- Fourscore / Irwin Bazelon -- The World I Am Passing Through / Brian Prechtl -- Sing, Sing, Sing / Louis Prima arr. Spencer Doty -- Third Construction in Metal / John Cage -- Marimba Quartet / Daniel Levitan -- Rhythms of Innocence / William Hill -- Sharpened Stick / Brett William Dietz