Doody, Terrence A.2009-06-042009-06-041989Sullivan, Martha Nell. "Grace and apocalypse in the novels of Cormac McCarthy (Appalachia)." (1989) Master’s Thesis, Rice University. <a href="https://hdl.handle.net/1911/13401">https://hdl.handle.net/1911/13401</a>.https://hdl.handle.net/1911/13401McCarthy's novels articulate a vision of man's state of grace as a trajectory. Outer Dark, representative of McCarthy's early career, reveals a world filled with overwhelming evil, a vision of terra damnata mitigated only by the grace suggested in the narrative tenderness toward the heroine, Rinthy. Suttree affirms grace as the titular hero "pulls himself together" to overcome "dementia praecox," a form of madness combining the primitive implications of schizophrenia (represented by Suttree's dead twin) and the Manichean split between good and evil that paradoxically issues in Knoxville's "good-naturedly violent" demimonde. Blood Meridian, McCarthy's apocalyptic Western, reverses the vision of Suttree. The novel's ambiguous silences--moments of ineffability--either condemn "the kid" for his senseless brutalities or confirm the meaningless of life which the desecrating bloodshed suggests. Both possibilities leave mankind poised uncomfortably at his blood meridian, McCarthy's version of an apocalyptic foreclosure on the possibility of grace.124 p.application/pdfengCopyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder.American literatureThesisThesis Engl. 1989 Sullivan