Brandt, Anthony2019-05-172020-05-012019-052019-04-19May 2019Yamamoto, Nicholas. "sound.field." (2019) Master’s Thesis, Rice University. <a href="https://hdl.handle.net/1911/105987">https://hdl.handle.net/1911/105987</a>.https://hdl.handle.net/1911/105987Orchestral performance is dedicated space and time for a ritual of concentrated listening and the execution of physical actions on sounding objects. In composing the work sound.field, I wish to guide a hypothetic listening experience through several layers of time and resonant spaces. I consider the work an aural environment partitioned by time. The temporal experience of it imagined as listening to a microphone moved through a vibrant aural space that is “amplified” through an orchestra.application/pdfengCopyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder.orchestral musicoriginal compositiontwenty-first century musicThesis2019-05-17