Ingersoll, Richard2009-06-042009-06-041989Thurston, Torin Richard. "Knowledge, art, and architecture: Perceptual continuity in Hellenic Greece." (1989) Master’s Thesis, Rice University. <a href="https://hdl.handle.net/1911/13476">https://hdl.handle.net/1911/13476</a>.https://hdl.handle.net/1911/13476This thesis represents an investigation into a particular determinate of architectural form, perception. By perception, I mean the act of apprehension, understanding and awareness associated with an active search for meaning. I suggest that there exists a perceptual history that affords insight into the creation of architecture. The methodology for this investigation consists of three major components. The first defines a state of perception of a given culture based on that culture's philosophic and scientific investigation. Secondly, this temporal state is given visual meaning through a culture's artistic endeavors. The final section illustrates that a perceptual continuity between knowledge and art continues to influence the built environment and reasserts one's connection to a wholeness of experience. I have applied this methodology to the rise of Western thought and expression in Hellenic Greece. At a time when building form is predominately determined by egotism, ethnocentrism, and economic factors, existential determinates become overshadowed. It is to the degree that these determinates predominate that a timeless architecture is created.103 p.application/pdfengCopyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder.ArchitectureKnowledge, art, and architecture: Perceptual continuity in Hellenic GreeceThesisThesis Arch. 1990 Thurston