Eifler, Margret2009-06-042009-06-041993Blume, Anne Lynne. "Absent mothers, absent fathers: Aspects of German Fascism as seen through the contemporary camera (Germany, Helma Sanders-Brahms, Agnieszka Holland, Marianne S. W. Rosenbaum, Su Friedrich)." (1993) Master’s Thesis, Rice University. <a href="https://hdl.handle.net/1911/13693">https://hdl.handle.net/1911/13693</a>.https://hdl.handle.net/1911/13693The personal history of individuals during the World War II and post-war period is looked at through the film texts "Deutschland, bleiche Mutter", "Europa, Europa", "Peppermint Frieden" and "The Ties That Bind". These film texts are considered for the way in which the filmmakers, in autobiographical accounts of their own lives or of the main characters, have explored and recreated history through individual memory. Memories of childhood in Nazi Germany are constructed from personal remembrance and experience to form a memory of the individual that is unaccounted for in the standard institutional history.58 p.application/pdfengCopyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder.Germanic literatureEuropean historyModern historyCinemaAbsent mothers, absent fathers: Aspects of German Fascism as seen through the contemporary camera (Germany, Helma Sanders-Brahms, Agnieszka Holland, Marianne S. W. Rosenbaum, Su Friedrich)ThesisThesis Ger. 1993 Blume