<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-22T10:37:18Z</responseDate><request verb="GetRecord" identifier="oai:repository.rice.edu:1911/13931" metadataPrefix="dim">https://repository.rice.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:repository.rice.edu:1911/13931</identifier><datestamp>2024-01-11T20:57:04Z</datestamp><setSpec>com_1911_8299</setSpec><setSpec>col_1911_13110</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="creator">Brown, Rebecca Elizabeth</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2007-05-09T18:24:03Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="available">2007-05-09T18:24:03Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued">1995</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="citation">Brown, Rebecca Elizabeth. &amp;quot;Aesthetic detail in the works of Nella Larsen.&amp;quot; (1995) Master’s Thesis,  Rice University.  &amp;lt;a href=&amp;quot;https://hdl.handle.net/1911/13931&amp;quot;&amp;gt;https://hdl.handle.net/1911/13931&amp;lt;/a&amp;gt;.</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="uri">https://hdl.handle.net/1911/13931</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="callno">THESIS ENGL. 1995 BROWN</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract">In the novellas Quicksand and Passing, Nella Larsen uses the often maligned detail to explore issues of gender, race, and sexuality. Female body parts, women&amp;apos;s clothing, and skin color are particularly reiterated and fetishized. These evocative descriptions function symbolically and at times act as a counternarrative. Larsen&amp;apos;s attempts to create a personal aesthetic are sometimes undercut by the text&amp;apos;s alliance with hegemonic standards of beauty and commodification.</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="mimetype">application/pdf</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso">eng</dim:field>
   <dim:field mdschema="dc" element="rights">Copyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder.</dim:field>
   <dim:field mdschema="dc" element="subject">Women&amp;apos;s studies</dim:field>
   <dim:field mdschema="dc" element="title">Aesthetic detail in the works of Nella Larsen</dim:field>
   <dim:field mdschema="dc" element="type">Thesis</dim:field>
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   <dim:field mdschema="thesis" element="degree" qualifier="department">English</dim:field>
   <dim:field mdschema="thesis" element="degree" qualifier="discipline">Humanities</dim:field>
   <dim:field mdschema="thesis" element="degree" qualifier="grantor">Rice University</dim:field>
   <dim:field mdschema="thesis" element="degree" qualifier="level">Masters</dim:field>
   <dim:field mdschema="thesis" element="degree" qualifier="name">Master of Arts</dim:field>
   <dim:field mdschema="others" element="access-status">open.access</dim:field>
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