Spatial dynamics in poetry: A topographical approach to poems by Rilke, Hoelderlin and Bachmann (Germany, Austria, Rainer Maria Rilke, Friedrich Hoelderlin, Ingeborg Bachmann)

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dc.contributor.advisorWinkler, Michael
dc.creatorSchellhammer, Ulrike Beate
dc.date.accessioned2009-06-04T00:41:22Z
dc.date.available2009-06-04T00:41:22Z
dc.date.issued1993
dc.description.abstractFor all they contribute to an understanding of modern lyric poetry, traditional tropological interpretations betray a number of limitations. In particular, the restrictive manner in which they impinge upon the dynamics of a poem and its potential for making meaning is the principal occasion for this dissertation, which postulates an alternative understanding of poetic space in modern German lyric poetry. The "scientific-topographical" method involved, like its terminology, is derived in Chapters I and II from the areas of geography and physics and would reveal a vibrant and expansive spatial dynamics in poetry hitherto subjected--with varying degrees of success--to an exhaustive yet more statically limiting and often exclusively allegorical analysis. This project is pursued with reference to poems by Rilke, Holderlin and Bachmann. The application of the method to Rilke's "Ausgesetzt auf den Bergen des Herzens" in the third chapter constitutes an exemplary "spatial reading" of the poem, "mapping" as it does a network of dynamically charged landmarks. This example is then followed in Chapter IV with a detailed presentation of the spatial dynamics in Holderlin's "Andenken." As the poetic space unfolds here, the lyrical I is discovered in an unexpected location, one in fact that has until now been completely neglected in criticism of the poem. With the analysis of Bachmann's "Bohmen liegt am Meer" in Chapter V the "scientific-topographical" method is most fully vindicated; for it is here that the dynamic process of "spatialization" practised by the critic finds thematic representation in the creative process practised by the poet. In a concluding chapter a brief consideration of the spatial dynamics in Goethe's "Machtiges Uberraschen"--a poem unlike the earlier three insofar as it has repeatedly permitted an altogether fruitful allegorical treatment--is intended to suggest the method's potential for further and broader application.
dc.format.extent255 p.en_US
dc.format.mimetypeapplication/pdf
dc.identifier.callnoThesis Ger. 1993 Schellhammer
dc.identifier.citationSchellhammer, Ulrike Beate. "Spatial dynamics in poetry: A topographical approach to poems by Rilke, Hoelderlin and Bachmann (Germany, Austria, Rainer Maria Rilke, Friedrich Hoelderlin, Ingeborg Bachmann)." (1993) Diss., Rice University. <a href="https://hdl.handle.net/1911/16663">https://hdl.handle.net/1911/16663</a>.
dc.identifier.urihttps://hdl.handle.net/1911/16663
dc.language.isoeng
dc.rightsCopyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder.
dc.subjectModern literature
dc.subjectGermanic literature
dc.titleSpatial dynamics in poetry: A topographical approach to poems by Rilke, Hoelderlin and Bachmann (Germany, Austria, Rainer Maria Rilke, Friedrich Hoelderlin, Ingeborg Bachmann)
dc.typeThesis
dc.type.materialText
thesis.degree.departmentGerman
thesis.degree.disciplineHumanities
thesis.degree.grantorRice University
thesis.degree.levelDoctoral
thesis.degree.nameDoctor of Philosophy
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