Reel houses of horror: Film, body and architecture

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dc.contributor.advisorLast, Nanaen_US
dc.creatorTriggs, Riley Granten_US
dc.date.accessioned2009-06-04T07:58:17Zen_US
dc.date.available2009-06-04T07:58:17Zen_US
dc.date.issued2006en_US
dc.description.abstractAn exploration of the emotional intertwining of character and architecture in two horror films of the 1960s, The Haunting (Robert Wise, 1964) and Repulsion (Roman Polanski, 1965). In these films we find fully rendered illustrations of architecture that include the non-visible element of emotion that is essential in the becoming of architecture and place.en_US
dc.digitization.specificationsThesis was rescanned at 24-bit color in 2020. PDF has been OCR’d and made accessible.en_US
dc.format.digitalOriginreformatted digitalen_US
dc.format.extent77 ppen_US
dc.format.mimetypeapplication/pdfen_US
dc.identifier.callnoTHESIS ARCH. 2006 TRIGGSen_US
dc.identifier.citationTriggs, Riley Grant. "Reel houses of horror: Film, body and architecture." (2006) Master’s Thesis, Rice University. <a href="https://hdl.handle.net/1911/17925">https://hdl.handle.net/1911/17925</a>.en_US
dc.identifier.digitalRICE2796en_US
dc.identifier.urihttps://hdl.handle.net/1911/17925en_US
dc.language.isoengen_US
dc.rightsCopyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder.en_US
dc.subjectArchitectureen_US
dc.subjectCinemaen_US
dc.titleReel houses of horror: Film, body and architectureen_US
dc.typeThesisen_US
dc.type.materialTexten_US
schema.accessibilityFeaturetaggedPDFen_US
thesis.degree.departmentArchitectureen_US
thesis.degree.disciplineArchitectureen_US
thesis.degree.grantorRice Universityen_US
thesis.degree.levelMastersen_US
thesis.degree.nameMaster of Architectureen_US
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