Reel houses of horror: Film, body and architecture

dc.contributor.advisorLast, Nana
dc.creatorTriggs, Riley Grant
dc.date.accessioned2009-06-04T07:58:17Z
dc.date.available2009-06-04T07:58:17Z
dc.date.issued2006
dc.description.abstractAn exploration of the emotional intertwining of character and architecture in two horror films of the 1960s, The Haunting (Robert Wise, 1964) and Repulsion (Roman Polanski, 1965). In these films we find fully rendered illustrations of architecture that include the non-visible element of emotion that is essential in the becoming of architecture and place.
dc.digitization.specificationsThesis was rescanned at 24-bit color in 2020. PDF has been OCR’d and made accessible.
dc.format.digitalOriginreformatted digital
dc.format.extent77 pp
dc.format.mimetypeapplication/pdf
dc.identifier.callnoTHESIS ARCH. 2006 TRIGGS
dc.identifier.citationTriggs, Riley Grant. "Reel houses of horror: Film, body and architecture." (2006) Master’s Thesis, Rice University. <a href="https://hdl.handle.net/1911/17925">https://hdl.handle.net/1911/17925</a>.
dc.identifier.digitalRICE2796
dc.identifier.urihttps://hdl.handle.net/1911/17925
dc.language.isoeng
dc.rightsCopyright is held by the author, unless otherwise indicated. Permission to reuse, publish, or reproduce the work beyond the bounds of fair use or other exemptions to copyright law must be obtained from the copyright holder.
dc.subjectArchitecture
dc.subjectCinema
dc.titleReel houses of horror: Film, body and architecture
dc.typeThesis
dc.type.materialText
schema.accessibilityFeaturetaggedPDF
thesis.degree.departmentArchitecture
thesis.degree.disciplineArchitecture
thesis.degree.grantorRice University
thesis.degree.levelMasters
thesis.degree.nameMaster of Architecture
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